Beautiful

BeautifulMag Interview: Alex Minksy, Optimist

HOW EASY IT IS TO JUST GIVE IN TO WHAT LIFE THROWS AT YOU. TO THINK WHEN THE GOING GETS TOUGH THAT MAYBE NEXT TIME IT WILL BE BETTER. TO FORGET OR SIMPLY DENY THAT THERE ISN’T GOING TO BE A NEXT TIME. THAT THIS IS IT AND YOU BETTER MAKE THE BEST OF IT. IT IS MUCH MORE DIFFICULT TO BE OPTIMISTIC. TO FIND SOMETHING GOOD IN THE BAD THINGS THAT HAPPEN AROUND US OR WITH US. SO DIFFICULT THAT NOT EVERYBODY CAN DO IT.

We knew about Alex Minsky. I mean, we had seen his photos and heard about his story. But when we received not one but two series of photos from him at the same time, shot by two different renowned photographers – Justin Monroe and Eric Schwabel – we decided to dig a bit deeper in Alex’ background. And we learned there was a story to tell here. And instead of doing it ourselves, we asked Alex to do it for us. And even though the questions we presented to Alex are not so new, the answers he gave and mostly how he gave them are the sparkle that shows the true character of this inspiring man.

Alex, welcome to BeautifulMag. In contrary to many other models, your journey has been quite exceptional. Let’s look a few years back. What made you decide to join the Marines?
Alex: Hey :) thanks for having me here and thanks for sharing my story in your magazine.
It really was not even a choice for me my mind was made up. When I was 18 years old I decided I wanted to join the military, and to me, the only choice was to join the Marine Corps.
 
Do you remember what went through your head when you were told you were going to be stationed in Afghanistan?
Alex: It was my job man. I knew I'd be going over seas when I joined, that never scared me or held me back at all.

When living your life in a warzone, probably taking every day as it came, did you have dreams of your future? Did you have a idea for yourself where you wanted to go in your life?
Alex: I was where I wanted to be. With my marines doing Marine Corps things.

Then one day disaster struck. Your truck hit an IED and you got injured. Severely. Can you tell us about this time in your life?
Alex: Crazy time in my life, and understandably so. But no man I'm sorry. I got hit in the head so hard that my body kind of went into "save me" mode and shut down. I was in a coma for 47 days. But I don't really have any memory at all of about 4 months.
 
Having seen pictures of you when you just joined the Marines, you have made quite a metamorphose. We are not just talking about the effect of the accident. You obviously embraced a passion for tattoos. What’s the story behind that?
Alex: Well I have had the passion to get covered in tattoos since I started getting them when I was 17. I had just been to busy with Marines stuff to get more than 4 or 5. But I always had that idea, to get completely blasted head to toe - ha ha. After I got out the chance came up to get a new one every single freaking week, so that's what I did. Every Tuesday. Bam bam getting’ tattooed.



Alex, you were scouted at a local gym. What went through your head when you were approached to model for Rufskin?
Alex: "What is this guy talking about?" And "this could be fun to try" – ha ha. That's it. Serious.
 
Since that first photography job you have become quite the icon and muse. How do you explain that?
Alex: I just share my story. Share what's going through my fxxked up head most days. And much to my amazement people like it. I think people like the fact that I'm just me being me most days. I have nothing to hide and hold nothing back. No shame.

In addition of being an inspiration for people with disabilities, you have also gathered a large gay fan base. How does that make you feel?
Alex: Love it. Love me some gay dudes.

You have worked with many photographers now, that all have very specific styles and that all must have offered specific experiences. One of them is Eric Schwabel, who has made name for himself as a celebrity and became quite a celebrity himself because of that. How did you experience your collaboration with him?
Alex: Yeah man, Eric is the bees knees :) <3 (He likes it when I do that, hearts and smiley faces - ha ha ha). I work with Eric often. We go well together I think. I've shot with him at least 6 or 7 times. All of which were very productive had good shots come out of it. I think so anyway.

We have seen you in many editorials and photographic series that vary from integer and classy to sexy and provocative. Is there anything you wouldn’t do?
Alex: That's kind of a personal question, don't you think? ☺ But no. Ha. There's nothing I wouldn't do. Keeping an open mind is very important to me.
 
What is next for Alex Minsky?
Alex: I'm going to Disneyland!! Just kidding I was just there like a month ago. Honestly, I don't know man. I'm keeping life simple at the moment. I'm taking each day as it comes. Really just trying not be to much of a knucklehead. –BM-

Optimist, Steampunk Cupid, Series of 3, Side A and Side B as well as Eric Schwabel’s portraits of Alex Minsky in the frame are available for purchase, with or without a personal signature from Alex Minsky. These prints alongside many other work from Eric Schwabel can be ordered at shop.schwabelstudio.com.

ERIC SCHWABEL | BEAUTIFULMAG
SHOP ERIC SCHWABEL | BEAUTIFULMAG
ALEX MINSKY | BEAUTIFULMAG

BeautifulMag Cover Story | ¿Quién soy yo?. An Interview with Jorge Rivas

BORN AND RAISED IN A DOCTORS FAMILY IN DURANGO, MEXICO, A LIFE IN THE CREATIVE SECTOR COULD PROBABLY NOT HAVE BEEN FURTHER FROM HIS PARENTS MIND. STILL IT WAS BECAUSE OF HIS FATHER THAT JORGE RIVAS EVENTUALLY FIRST CAME IN CONTACT WITH PHOTOGRAPHY. WHEN HE GOT A CAMERA OF ONE OF HIS CLIENTS HE PUT IT IN SOME DRAWER AT HOME AND FORGOT ABOUT IT, UNTIL LITTLE JORGE DISCOVERED IT. IT TURNED OUT TO BE A LIFE-CHANGING DISCOVERY.

In fact it became pretty clear to Jorge Rivas that medicine was not for him at early age already. He tried it though but eventually gave up after four years and turned his attention towards graphic design and architecture. Jorge moved to Monterrey and started to study both at the same time. A huge undertaking but Jorge managed and finished with highest honors in Architecture 4 and a half years later. Remembering how important photography was in his choice to take a different career direction, Jorge decided to also take additional photography classes. It was during this time, still at school, that Jorge Rivas embarked on male photography for the first time, shooting his good-looking friend David.

Jorge, your first time…
Jorge: I remember it was old school. Taking photos with film and living the dark room experience of developing them and not knowing how they come out. In this case, everybody I showed them to loved them. It was the first time I was told that I was actually good at photography.

Is that why you decided to pursue a photography career?
Jorge: Well, in fact, asides from graphic design and architecture I had always been interested by fashion. I admire good photographers and already when I started playing with my fathers camera I dreamed about making photos for high end fashion magazines such as harpers and Vogue. I got my first opportunity when my parents sent me to the United States to improve my English. I moved to Louisville, Kentucky for a year and while being there I went to Santa Barbara, CA to follow photography workshops focused on fashion. After that year I moved back to Durango where tried photography for a llving. You can imagine there was not much need there for fashion photography. Or male photography for that matter. So I started out doing kids and pregnant women.

Mmmm, seems like quite a step away from what you set put to do.
Jorge: Ha ha ha. Yes, indeed. But I did not give up on fashion. I followed some more workshops in Mexico City. I also boldly decided to share my work with my instructor. Mind you, I really didn’t have a professional camera and set up. One day my instructor called me and told me Paris Hilton was coming to Mexico City and Vogue Magazine opened a contest for fashion photographers. He told me he had signed me up. Can you believe I ended up taking photos of her next to guys who had more than 20 years of experience and with borrowed equipment? Even better, I ended up second place and got my work published. In Vogue. Eventually I opened my own little studio in Durango  and filled my agenda with wedding shoots. It wasn’t my dream but it paid the bills. Besides that it was just really difficult to find guys and girls there willing to do a bit more and different.

Is that why you eventually decided to move back to the USA permanently?
Jorge: More or less. After one year of weddings I moved to Massachusetts to follow another 10 month photography program. I arrived with one suitcase and my broken English. It was hard but I managed and graduated with highest honors and an award in my pocket.

You do not seem to be afraid of a challenge…
Jorge: I always take on new challenges and put myself new goals. I push myself to my limits. One of my first assignments at school was to assist a professional photographer. A scary thing, but I realized that I came so far already. I left my family and business behind to try to get better in what I wanted to do, and so I accepted the job. The next 7 to 8 months I spent making calls and sending my folio around and eventually I landed a place at the side of one of the greatest photographer in New York: Joe Oppedisano.

How did that work out for you?
Jorge: Joe would call me every time he needed an assistant, and I would jump on the train and go to New York. It was such an opportunity. But I also learned New York is a tough place to work and if you want to make it you have to be there 24/7. When other photographers started to notice me and offered me internships, I realized I needed to relocate. New York turned out to be the most amazing experience and school in my life. I worked more and more with Joe and learned so much from him. He really was my mentor when it comes to male photography. Unfortunately I couldn’t stay as I was still on a student visa and it was about to expire. This is when I got an opportunity to work for NFL and with that a work permit. But since they are located in Dallas, I had no choice than to move to Texas. Here, on my own, I started to do more and more fashion and male photography. Again it was extremely difficult as I arrived alone in a city where I knew nobody and nobody knew me, but I made it and now, after 4 years, people have come to know me and I have had the chance to work on some amazing projects, such as Faces of Life, which supports AIDS associations. I have worked on this for 2 years now and an about to take it to Mexico City.

Let’s go back to the beginning Jorge. Medicine, graphic design and architecture. Have these studies influenced your current status as photographer?
Jorge: Yes, definitely. My medical studies have helped me to understand better the human body. Architecture and graphic design has given me a whole different point of view. It thought me how to look at things differently.

How would you describe your style?
Jorge: I think is very sensual it could be sometimes erotic but always with the sense of style.

You mentioned your interest in fashion. Still we have come to know you as an artist with an excellent eye for male beauty. Now, a few years in your career, what would be your ultimate goal? How would you like to be remembered?
Jorge: I love male photography. I love the sexual aspect of my photos though some think it is too erotic. It is difficult to do both male artistic photography and fashion. People tend to label you for what they know about you, but I’m lucky enough to be surrounded by some that see my work for what it is and doors are still opening for me. I don’t think I have an ultimate goal. I still have so much to do. I feel I just started. I think, when my career comes to an end, I would like to be remembered as someone who liked what he did and fought for it. I want to be remembered as someone who does not just make photos but who creates images that add to the beauty in our world.

Please respond to the short questions and comparisons:
Mexico or United States:
Jorge: “Or” doesn’t exist. Mexico is my life, the USA my success.
Men or women:
Jorge: Both but I love men. They are so easy to work with – LOL.
Pets:
Jorge: I have two dogs: an  Irish Setter named Lorenzo and Akira, my Shiba Inu.
Favorite color
Jorge: Red
Favorite food
Jorge: Ha ha ha… Mexican of course.
Favorite music:
Jorge: Besides heavy metal I pretty much like all.
Favorite book:
Jorge: ¿Quién soy yo? – Who am I… -BM-

JORGE RIVAS PHOTOGRAPHY | BEAUTIFULMAG

Jack of All Trades: An Interview with Jack Mackenroth

JACK MACKENROTH IS NOT ONLY A CELEBRITY, HE IS ALSO A HERO FOR MANY. WHEN HE CAME OUT BEING HIV+ ON NATIONAL TV, HE TOOK THE DELIBERATE RISK OF EITHER BEING EMBRACED OR SHUNNED. BUT JACK RECEIVED RESPECT AND SYMPATHY AND HIS PUBLIC STATUS TRANSFORMED HIM IN A ROLE MODEL FOR MANY MEN AND WOMEN WHO ARE DIAGNOSED WITH HIV. FOR 23 YEARS JACK IS LIVING WITH HIS CONDITION AND DURING THIS TIME HE HAS SHOWN THE WORLD THAT, SERIOUS AS IT IS, IT IS NOT A REASON TO GIVE UP. JACK MACKENROTH IS A REMARKABLE MAN. A MAN OF ALL TRADES.

Jack, we have come to know you as a man of many trades. model, athlete, fashion designer, TV and radio celebrity, HIV activist… But who was Jack Mackenroth while growing up?
Jack: When I was growing up I was VERY small and androgynous. My first year in high school I was the shortest student in my class—including all the girls. It was torture. I always played with girls and liked “girly” things and I was teased a lot. It used to really bother me. But as an adult I’ve learned to embrace all my insecurities and uniqueness.

This photo shoot was inspired by the Ukrainian boy band Kazaky. They are amazing. They perform in mega high heels. For me it was all about embracing androgyny and my feminine side. I’m sure some people who are used to seeing me with a beard and more “butch” might be turned off but it’s more about artistic expression. Jeff Eason is an amazing photographer. I embrace the gay.

When did you come out and how did you experience it?
Jack: I came out during my first year of college when I was attending UC Berkeley. It is a huge school and it’s very liberal plus it’s about 30 minutes away from San Francisco—which is gay Mecca-- so it was pretty comfortable for me to come out in that atmosphere. I came out to my family the next summer. That was much more difficult. I thought it was pretty obvious that I was gay but my mom was still really surprised. You have to remember that it was 1988 and it was a very different time to come out. We had almost ZERO role models in the media. My brother and sister weren’t surprised. HAHAHA!! It took a few months but eventually everyone was very supportive. My family is super cool.

In the US you gained national fame thanks to your participation to Project Runway. How did this affect your life?
Jack: It was amazing. It was one of the most grueling things I’ve ever done considering we filmed the whole season in five weeks and we didn’t have a single day off. I think the biggest impact came from disclosing my HIV+ status on the show. I was the first person to come out as positive on TV since Pedro Zamora who passed away in 1994 and it had a huge impact. It really didn’t seem like a big deal to me but I was very conscious that the HIV community could use a role model. The response was amazing. I still get about two or three Facebook messages a day from people around the world who have questions or concerns about HIV. I’m happy to be a face of the disease. Unfortunately there are really only a handful of well-known “celebrities” that are open about their status that are still alive. I can only think of Magic Johnson, Olympian Greg Louganis, Ongina from RuPaul’s Drag Race and that’s about it. A great guy named Jamar Rogers recently came out on a TV show called The Voice and I hope he makes a huge name for himself. I’m sure there are more activists and many people doing great work who are open about their status but there really aren’t a lot of people in the popular culture. It’s too bad because visibility saves lives and helps fight the stigma. Hopefully I continue to be an example for people living with HIV.

You were diagnosed in 1989, which honestly wasn’t the easiest time. Can you tell us about this period in your life?
Jack: It was really rough. The only medication that existed was AZT and it was very controversial. Everyone was dying. It was absolutely hideous. I was 20 at the time and I honestly thought I wouldn’t live past 25. Many people forget how awful the AIDS crisis was at that time because they are either too young to remember or they are dead or they don’t want to remember because it was so devastating. It’s important to remember our history so we don’t repeat it. AIDS is still a fatal disease without treatment so it’s crucial that everyone knows their status and has access to medical care.

Living with HIV for 23 years, you are a shining example for many men and women who have been diagnosed as well. How do you do it and how do you feel being in that position of being a lighting beacon?
Jack: Well I am very lucky—I know that. I responded very well to the early medications. I also take care of myself in a proactive way. I adhere to my medications and I also exercise a lot and try to eat right. I also do yoga and see a therapist, which helps with my overall wellness and mental health.

Jack, one of your big projects at the moment is your upcoming book, Making Lemonaids. What can you tell us about that?
Jack: Actually that is still in the works but it’s currently on hold because I am launching a dating website and mobile app for HIV+ men. I really can’t tell you too much more than that right now but we go into beta test phase on August 1st and hard launch on September 1st. (Pun intended)

The book is a sarcastic, snarky memoir about my life experiences, growing up gay, living with HIV and becoming a reality personality. It’s a hilarious hot mess. I hope to finish it this winter.

A little bird whispered in our ear you are currently single. What does a men need to do/be/have to get your attention?
Jack: Well that little bird is about 3 months behind on the gossip. I’ve actually been dating someone seriously for a while now.

Going back to the beginning: model, athlete, fashion designer, TV and radio celebrity, HIV activist and writer… what’s the next thing for Jack Mackenroth?
Jack: Well I assume that the website will be all consuming this fall. I will be promoting the hell out of it for a few months. Stay tuned to my Facebook page and Twitter (@jackmackenroth) for more information on that as it happens.

I’m also working on an amazing project with many of the HIV activists I mentioned earlier called POZ ARMY. It’s a grassroots movement to reignite the fight against HIV and push for a cure. I am one of the “generals” in the army along with every HIV celebrity you can think of and a ton of activists and other people infected or affected by HIV. We want EVERYONE to be a part of it. You don’t have to have HIV to make a difference.

Further more I will also be at the International AIDS Conference in Washington D.C. at the end of July. This is all in addition to my “regular” life of training for swimming, hosting the radio show, doing photo shoots and speaking around the country. Thanks so much for your support!! Love you guys. XOOXOX –BM-

Photography by Jeff Eason.

JACK MACKENROTH | BEAUTIFULMAG

Mark Henderson | Luminosity

CONSCIOUSLY POSITIONED AND SPECIALLY STYLES WITH PURPOSEFUL PROPS AND A CALCULATED EYE FOR DETAIL. MARK HENDERSON ONCE AGAIN INVITES US AT HIS HOME, JOINING A PARTY OF THE MIST BEAUTIFUL MEN STANDING, KNEELING, LOUNGING OR EXPOSING THEM OTHERWISE PURELY FOR OUR PLEASURE. WHETHER SPLAYED ACROSS DISHEVELLED BEDDING, SPRAWLED ON A CHAIR, CHAISSE OR SOFA, LEANING IN A DOOR JAMB OR PEERING OUT A WINDOW, MARK HENDERSON’S MEN SEEM CASUAL AND NATURAL. DISTRACTED, SELF-ABSORBED OR SEEMINGLY UNAWARE OF BEING OBSERVED, THEY SEDUCE YOU AND DRAW YOU INTO THEIR UNREALISTIC REALITY. WITHOUT SAYING COME CLOSER IF YOU DARE, IT IS ALL YOU WANT TO DO.

At first glance you light think Mark Henderson is a person of habit. True, he found a golden formula inviting the hottest men and staging them against the stunning architectural backdrop of his Texas home. True he has able to fill four books with them before. But it is also true that his concept is a successful one. His previous books Household Idols, Suburban Pleasures and Poolside are all bestsellers, and his forth volume named Luminosity will doubtless follow the same path. There is nothing wrong with that habit. But if you look closely, you will see there is nothing habitual about Mark’s work. Every book is different, each carefully staged portrait unique. The only habit of Mark Henderson is his talent and his vision of male beauty. And frankly, that is a habit we will never get enough off.

Mark, welcome back. Luminosity is your fourth photo book. Compared to Household Idols, Suburban Pleasures, and Poolside, what makes Luminosity different?
Mark: Thank you for the warm welcome! All of my books are intentionally related… naked men, of course, remain my primary subject…but Luminosity is slightly different in that the chosen images utilize light (largely available light) as a unifying formal element in every picture. 

What does “luminosity” mean to you?
Mark: For me, “luminosity” refers to the way light enters interior spaces and reflects off various surfaces, giving a lustrous shimmer to objects and textures, especially beautiful bare skin. 

As before, you have used your own home in Texas as the background for your book. It must be quite strange to walk through your house and to know so many beautiful hot men have posed there, naked…
Mark: Ha! Not particularly. Naked men at my house is pretty much business as usual! I bought this house primarily because I knew it would serve as a perfect setting for my photography and I shoot almost continuously so I must admit I don’t have much time to ponder how unusual my life is…. but now that you mention it… 

After your Edendale Studios website, you recently launched your Mark Henderson site. Can you tell us a bit more about this new venture?
Mark: The original Edendale Studios website was created in 2005 or so and hadn’t been updated much since then. Although Edendale Studios, LLC remains my company name, I now work primarily under my own name. Rather than updating the existing site I created a new website… MarkHendersonPhotography.com. The old Edendale Studios site is defunct, although it’s archived at the new site. At the moment MarkHendersonPhotography.com largely serves as a place where people (specifically potential models) can learn more about me and my work. Eventually the site will provide a way for people to order individual prints, but I haven’t started that aspect of my business yet.  

In Luminosity we see some familiar faces (among other things). It looks like you have built quite a good relationship with many of your models. Knowing the men so well, I’m sure some funny things happen during the shoots every now and then. Can you share some good memories with us?
Mark: Oh yes, there are all sorts of stories to tell, most of which are too long to recount here…I’ll save them for my memoir, if I ever write one. Having said that, I do remember one nice story regarding the incredibly masculine and magnificently built model, Cayden Ross. During the shoot I mentioned to him that I’d like to do a set with him wearing a sports coat and a bow tie. The tie unfortunately wasn’t pre-tied. During a break Cayden took it upon himself to go online and learn how to tie the tie. He showed up to the set with the bow tied perfectly. Tying a tie may not seem like much, but making that extra effort really endeared him to me and demonstrated a type of commitment that I don’t see very often. And by the way, the pictures from that set turned out beautifully.      

What is the next project for Mark Henderson?
Mark: I have two or three book projects in mind. I just sold my house and studio in Los Angeles and as a very personal project I’m hoping to put together a book, a sort of visual memoir, of some of my favorite images shot there over the years. I have thousands and thousands of images from which to choose, most of which have never been published. It’s been a wonderful experience revisiting those old photo sets and rediscovering good pictures about which I had almost forgotten. –BM-

MARK HENDERSON | BEAUTIFULMAG    

Dean Monroe's World

IT IS NOT SO STRANGE THAT DEAN MONROE IS ONE OF THE MOST POPULAR PLAYERS IN THE GAY ADULT INDUSTRY. JUST LOOK AT THE GUY. 5 FEET, 11 INCHES (180 CM) AT 165 LBS (75 KG). STRONG MASCULINE MEDITERRANEAN FEATURES AND A DARK LOOK IN HIS EYES THAT ALWAYS SEEM TO DARE YOU. TEMPT YOU. AND OF COURSE IN POSSESSION OF ALL THE RIGHT ASSETS TO MAKE IT BIG IN HIS WORK. NO WONDER DEAN CAN LOOK BACK UPON A CAREER OF 12 YEARS THAT WAS A SUCCESS THE MOMENT HE SET HIS FIRST STEP IN FRONT OF THE CAMERA. IN 2006 HE STARTED HIS OWN BLOG THAT HAS GENERATED 1,500,000 VISITORS UP TO TODAY. ALWAYS WILLING TO SATISFY HIS LARGE FANBASE, DEAN STARTED HIS OWN PERSONAL BLOG IN 2006 WHICH IMMENSE POPULARITY EVENTUALLY HAS LED TO THE CREATION OF A VERY SPECIAL BOOK. WELCOME TO DEAN MONROE’S WORLD.

Dean, welcome back. In 2007 ago we introduced you to our readers, the few who didn’t know you yet, being a man who radiates sexuality and sensuality and someone to watch out for. Now, 5 years later, you proofed us right. How has your life been over the past 5 years.
Dean: Busy. I've been shooting  more porn than ever before. Exciting. I've been shooting more and more artistic material and doing more personal appearances and events. And challenging. I'm starting to work on and create projects that I've been dreaming of doing for many years. So yes its been an upward curve of success.

Even though there are names in the porn business that for many come easier to mind, you are extremely popular. You have one of the largest fan bases in the industry and have starred in some very popular films. Would you call yourself iconic?
Dean: I've always worked hard at what I do and enjoy every minute of it. I hope that comes through in my performances. I take this work very seriously and appreciate all the fan's support. Iconic is a really heavy word to use. I just always wanted to stand out from the rest of the pack and would love to be remember in the industry as a passionate performer and model.

What is it you like most about your career in the gay adult industry?
Dean: The porn industry has allowed me to be able to express myself artistically in many ways. Through film, photography and music. I've been able to travel a lot and of course have sex with some incredible men.

Besides film and modeling, you are also active in music? Can you tell us a bit more about that?
Dean: Well if you remember I released a single in 2008 "Closer to You", which was just an experiment for me to see if I could write , produce and perform. I was overwhelmed by the response of people who knew me as a porn actor but also those who just heard the song and fell in love with it without realizing who i was. Also in 2010 I did a 5 week run in the stage musical Naked Boys Singing in London. That was one of the most exciting experiences for me to perform in front of a theatre crowd. Music has always been a huge part of my life and I wont rule out any more projects in the future.

Let’s talk about your blog Dean. In 2006 you launched Dean Monroe’s World and you have been able to feed it with both professional and personal stories, which is quite unique. How do you experience writing your blog and how do your fans react to it?
Dean: I use my blog as a way to communicate to my fans and anyone else who is interested. I post on it like a journal so sometimes it's porn related and sometimes it's travel, modeling, or just personal experiences. The hits keep increasing day by day. I believe now I get about 2000 hits a day on average and I'm always surprised at how seriously some fans follow it. I write what's on my mind and always enjoy going back to read people's comments, positive or negative.

Let’s move to your latest adventure Dean. A book. And not just a book but a book that is probably the most revealing and personal book released by a porn actor to date. What is it about?
Dean: The book is really an evolution of the blog. Its a collection of photographs from my childhood to the present day with my own commentary and story telling. Its set in  chronological order so it covers every aspect of my life to date. Im really excited about sharing it with everyone. I put a lot of effort into it and it contains things I've never shared with anyone before.

Not only is Dean Monroe’s World a visual culmination of your career, it goes much further back and reveals a Dean Monroe in a most personal and intimate way. What made you decide to share your personal life to that degree with the rest of the world?
Dean: I wanted people to know my background and the events and experiences that led my to this point in my life. Porn is still frowned upon as a degrading seedy business so with this book I want to show all the positive aspects of it in a beautiful artistic way and show that a porn actor's life is not just about sex in front of a camera.

Was it difficult to put it all together? How long did it take you?
Dean: It was incredibly challenging sifting through thousands of images, deciding how to lay the book out. Which events and points in my life to share an also to have a good balance of porn material, artistic photography, text, and private material. And all this in just 160 pages. I think I worked on it for 2 months before it was sent for approval and printing.

Besides photos, will there be anekdotes and stories in your book that makes us get to know you more intimate? We know for example of your encounter with Madonna years ago, and a rumoured love affair with a celebrity actor. Will there be some revealing stories?
Dean: I think some of the images in the book will really surprise people. Also I write about some very personal feelings and emotions I went through over the years, and there are a few confessions and a revelation right at the end of the book.

Why should one purchase your book? What is the message you want to give with it?
Dean: I want anyone buying my book to take a way a very important, interesting and revealing part of my life, an art piece, an exclusive look into the gay porn world and a story of a guy who has managed to use the sex industry as a positive and successful tool.

How do you see your career evolve from here Dean?
Dean: I know porn will always be a huge part of my life. I still see myself involved in it whether its behind the camera in a more creative way. The porn industry is evolving constantly at a past pace and I want to be the first to try and find new ways to bring sex to the consumer in new and exciting ways. I want to release some more music material once the book is released so watch and listen to this space. –BM-

Dean Monroe’s World – A Collection of Photographs 1972 – 2012 will be available for purchase as of April 21 on Blurb Bookstore and through direct links on Dean Monroe’s blog.

Photography (in order of appearance) by Paul Define (cover) | personal archive | Anton Z Risan | Anton Z Risan | UK Naked Men | Anton Z Risan | Anton Z Risan | Magic Mask Pictures | Raging Stallion.

DEAN MONROE | BEAUTIFULMAG

In Bed with Nigel Rorbach

CHESHIRE IS A COUNTY IN THE NORTH OF THE UNITED KINGDOM, ABOUT ONE HOUR DRIVE SOUTH FROM MANCHESTER. IT IS THE HOMESTEAD OF PHOTOGRAPHER NIGEL RORBACH. NIGEL HAS BEEN SHOOTING EVER SINCE HE WAS A KID, MUCH TO THE ANNOYANCE OF HIS FRIENDS WHO WERE HIS CONSTANT MODELING VICTIMS. BUT ALL THAT PRACTICE HAS PAID OF. NIGEL IS HOT. HIS WORK IS POPULAR AND WELL SOUGHT AFTER. AND WITH A VERY PROMISING PHOTOBOOK ON ITS WAY, NIGEL IS CURRENTLY PROBABLY ONE OF THE HOTTEST PHOTOGRAPHERS IN THE UK. REASON ENOUGH FOR US TO DIVE UNDER THE SHEETS WITH HIM.

Nigel Rorbach. With your art you focus mostly on portraiture and people. What is this fascination with people?
Nigel: Well, I suppose it’s because people can respond. It’s far more interesting working with a subject that can interact and that you can bounce ideas off. I like to try and channel emotion, attitude and feeling into my work, so working with people gives me the best opportunity to do that.

I remember when I was studying photography, and having to shoot landscapes, and still life and what I considered boring subjects like that. I mean, who has ever had a sensible conversation with a plant ??? People talk back and that’s half the fun.

You are in control of the whole process, from conception to casting, preparing the set to shooting and eventually retouching. What part of the creative process is most satisfying for you? What do you like doing most?
Nigel: Ahhh, so you’ve noticed I’m a control freak! ha ha. I think that I prefer to be in control of the whole process so that I can see how things progress and develop, and if I’m honest I love the whole creative process. When I start talking to someone new that I haven’t worked with before, it’s exciting to discuss ideas and to feel that initial rush of inspiration. Actually taking the shots is probably the most enjoyable really, seeing everything come together and then that click of the shutter, then seeing the image preview and thinking “Yes ! We got the shot !” Now THAT is worth all the work.

You once said that you are a fervent follower of Herb Ritts believe that a good photographer should constantly change angle and environment, look for other perspectives and other settings. Your In Bed with Immortal Images series seems to limit this believe by focusing on one type of setting only. Can you tell us more about this project.
Nigel: Herb Ritts is a huge inspiration to me, and I still firmly believe in his theories. The “In Bed” series are taken from my forthcoming book, The Age of Man. And I wanted to stay in one place, but change the theme and emotion behind the shots. I think that it can be really easy to take one setting, light it in one way and shoot lots of images that essentially look the same. What I wanted to do with this series, is change subtle things like the lighting, to create a different feeling or emotion. And also, directing the model in a different way really helped to cover different emotions. Some of the shots are more romantic and sensual, whereas others were taking to show a more passionate, sexual and erotic side.

I really wanted to take one setting, and use it to portray a range of emotions. From the sensual and romantic side of man, that can sometimes be really cheesy if not done right, to the more sexual and erotic side.
Now we know that having to turn around beautiful men with your camera in order to get the best possible shot is both tiring and exciting. We cannot even start to imagine what it must be like when those beautiful men are in or on bed. How did you experience this?
Nigel: Ha ha ! Well I am a total professional, so it’s never really occurred to me to think anything else really. It’s a very intimate setting, and the subject matter and themes are also very intimate and personal, so I always discuss the ideas beforehand to make sure the model is comfortable, and we usually shoot those images last so there has been enough time to really relax, and feel comfortable on set.

It’s distracting when you’re going through photos and you have some hot naked guy sit or stand behind you looking at the shots on the camera, but I believe in being a professional and having a good attitude, and respect for your model.

Tell us about the most memorable moment shooting this project?
Nigel: That’s a really difficult question. Every model has inspired me in different ways. Adam Coussins was a lot of fun to work with, he really came to life on set and seemed really comfortable delivering the masculine sensuality that I needed for the shots.
And the worst?
Nigel: I haven’t really had a worst moment as such. I have things that slightly annoy me on set. The worst would have to be models walking around on set all day barefoot, and you only realize when going through the shots that the bottom of their feet is black !

The lighting ! It’s really important to me that the lighting is right, as that helps to create the right mood. The shots of Theo D were difficult to light as I wanted something really sexy, so didn’t want it to be too light, so that was probably the worst, having to move the lights until it was perfect.

Being a photographer means you put a lot of yourself out there. What is it that excites or inspires you in this profession?
Nigel: I feel that I have a lot to say, and that’s probably the thing that pushes me and makes me want to continue doing what I love. I get excited and inspired when I meet new models, or talk to guys that I’ve worked with before about new ideas. I’m always thinking of concepts and shoot ideas, and the smallest thing can spark off a new idea so that’s always a lot of fun.

I’ve been working on my first book for the past 18 months, and along the way I’ve worked with such a range of models and I’ve had some truly incredible experiences, that will stay with me forever. Working with experienced guys like Adam Coussins, Anthony Hague and Theo D have been a lot of fun, and the shoots have been really productive. And then working with newer models, who I’ve been able to work with a few times, and watch them progress and become more confident, and see them expand their limits, it’s all so exciting and inspiring to me.

And how do you deal with criticism?
Nigel: Badly! I’m far too sensitive, and I do take a lot of things personally when it hasn’t actually got anything to do with me as an artist or me as a person. If I get constructive comments, and it’s from someone I admire or that has what I consider to be an equal level of ability, then I take the points on board. What I can’t take is negative comments that are just pointless or that don’t have anything constructive behind them.

There is one comment that really sticks in my head, and it upset me a lot because it came from another photographer that I had a lot of respect for. I had asked his opinion on some shots I had done with a new model, and he just said “oh wet vest, been there, done that, it’s been done before” I shouldn’t have taken it to heart, but I did because I respected the person who said it, and because there are very few ideas or concepts or settings that haven’t been done before in some way.

There is a lot of male photography out there, by a lot of different photographers. What do you think your work adds to the list?
Nigel: I think my work adds a lot of different directions. My work has never just been about a hot guy with no clothes on, and it never will be. I want to convey a message, an emotion or a feeling. And I think what makes me and my work different is that I want to collaborate with the model, and make sure that there are no lines crossed. I’d rather my models were happy and comfortable with the concepts and ideas.

I also think that because there are so many other photographers out there, it’s important to try and be a little bit different. The amount of shots I see where it’s literally “hot guy in undies” or “hot guy with his cock out”, yeah they can be nice shots, and they’re generally great looking guys, but I studied photography for years, and I want to make art, and make people think and react to my work.

Let’s go back to the bedroom, shall we?
Nigel: After you ☺

What do you wear when you are in bed?
Nigel: I get far too hot, so generally nothing or sometimes underwear. If it’s really cold (which considering I live in the UK that happens a lot) a t-shirt.

Do you listen to music and if so, what kind?
Nigel: I don’t really listen to music in bed. But the music I like varies on my mood. At the moment I’m loving Natalia Kills.

What is the book currently on your bed stand?
Nigel: My note pad for ideas! I also have “Heaven To Hell” by David LaChapelle.

Do you like to cuddle?
Nigel: Hell yeah. My man keeps me nice and warm at night, and we like to cuddle ☺

Do you have any pets and if so, where do they sleep?
Nigel: We have a cat called Sunday. She generally sleeps wherever she wants. Usually on my desk, or my clothes after I take them off.

What do you do when you cannot sleep?
Nigel: Lie there annoyed that I can’t sleep, then I usually go through photo ideas in my head.

With speial thanks to Enzo Dell’armi for his amazing retouch work: www.modelmayhem.com/iamcylo. http://mygoldmember.daportfolio.com.

NIGEL RORBACH/IMMORTAL IMAGES | BEAUTIFULMAG

BeautifulMag Interview | Simon Barnes, Artist

THERE IS NO DOUBT ABOUT IT. THE MAN WHO CALLS HIMSELF HOTSNAPZ IS ONE OF THE MOST TALENTED AND CREATIVE PHOTOGRAPHERS IN THE UNITED KINGDOM. A QUICK VISIT ON HIS WEBSITE OR JUST GOOGLING HIS NAME WILL SHOW YOU WHAT WE MEAN. BUT MORE THAN THAT, SIMON BARNES IS A MAN WITH PASSION AND MODESTY, AN INSPIRER AND A TEACHER. AND AN ARTIST IS HEART AND SOUL. WE FEEL PRIVILEGED TO BE ABLE TO TALK WITH HIM ON REGULAR BASE. TODAY HE TALKS WITH YOU.

Simon, we have come to know and appreciate you as a talented, skilled but also critical photographer. When you shoot a series and then look through the raw material, how do you know you have a good portrait in hands. What makes it stand out?
Simon: WOW! Now there’s a compliment, Thank you. I rarely have a picture I am truly happy with, but then I guess that’s the point when the creative process would stop. To choose an individual image a lot is based on instinct. I tend to speed view the images until one hits me and then edit that. Later I go back through more slowly to see if I missed anything.

Would you say there is a difference in how you select your images compared to how your models choose?
Simon: Oh yes. The major difference between a model and a photographer is that a model looks at the detail first …“OMG I have a huge spot… My eyebrow is odd. etc.” whereas a photographer looks at the whole dynamic and works on the detail later. That’s what Photoshop is designed for. The whole subject of editing has been contentious lately as creating impossibly perfect people. Obviously if you are photographing an actor or sportsperson you choose an image and edit it as naturally and as honestly as possible. But for more creative images we all want fantasy, We want the perfect vision of our dreams, So again the choice of image depends on the potential to create that fantasy. Preferably one where the model doesn’t look too bored.

Having visited your studio several times, we once we called it Aladdin’s cave. How would you describe the place where you do your magic?
Simon: Haha. I guess an expanding rummage sale best describes it. I really do have an amazing amount of clothes, props and general clutter. Strangely I know where most things are. I always feel naked without the accessories and if I throw anything away, it’s the one thing I need next.

So your studio is not the standard studio you would expect from a photographer. How do models react when they arrive for the first time?
Simon: I love to see a new model’s face when they see the studio for the first time. It’s a mix of disbelief and pleasure. As you know the actual studio is at the far end of the space so you encounter the “collection” first.

What makes for you a great male model?
Simon: Obviously the look is what it’s about, but someone who has a natural ability to relax and is not scared to act out emotions or dynamics to fit the theme. Also one who is prepared to work for themselves. There are so many models desperate to work that you cannot rely on others to push you. You have to have determination and get your presence felt. Very few guys are spotted in the street and whisked away to international stardom.

What makes for you a great photographer?
Simon: NO EGO! I have a massive hatred of the whole ego thing, It usually goes hand in hand with “My Model” syndrome. Any shoot is a partnership of ideas between model and photographer, so you have to bend your vision to suit the model and vice versa. Of course if it’s a commissioned job you both have a fairly rigid directive, as does the stylist and MUA (Make Up Artiste) but for a lot of my shoots it’s the creative process between two people. I admire technical ability in other photographers, especially with regards to lighting. Lighting makes or breaks an image. I love to see thought about composition, theme and styling. It’s very easy to have a digital camera and call yourself a photographer.

You have a background in theatre. How does this influence your photographic work and would you think that you would have been a different artist without the knowledge of and experience in theatre work?
Simon: Oh yes. I’ve already mentioned lighting, but everything I do has a slightly theatrical edge. Strangely the bulk of my photography centres around building portfolios for fitness and physique models or working on a magazine spread, but in each shoot I try to tack on a few “Hotsnapz” images, with the full range of props and make-up appearing.

With every photo you take your knowledge and expertise increases and the possibilities you can imagine become more and more rich. What is the dream of Simon Barnes that he wishes to realize?
Simon: Well a rich sponsor wouldn’t go amiss - LOL. But just to continue to grow and expand the repertoire I guess. I’d like to think you’re still publishing my work in issue 1,000.

Besides being a great photographer yourself, you are also a mentor for young talent. Various of your models have chosen to follow your footsteps and moved from in front to behind the camera. How does this make you feel?
Simon: You’re making me blush!! Proud. Both Simon Howard and Zach Burns have become very experienced and proficient photographers and their work has acquired their own individual stamp. I love to see new talent emerging.

Do you have idols? Who’s work do you admire?
Simon: I love the old black and white Cecil Beaton images… all hand retouched and shot through silk to soften the image. Totally theatrical! I can’t mention modern photographers in case I forget someone. But they know who they are!

Who tops your wish list of guys to work with?
Simon: Anyone who has a true desire to work hard in the industry, but I wouldn’t mind having a shoot with Cheyenne Jackson. –BM-

Read also The Stopping Power of Simon 'Hotsnapz' Barnes | Part 1 and Part 2.

HOTSNAPZ | BEAUTIFULMAG